March 2008

Wednesday, March 26, 2008

Tattoos Of Stars On Lower Stomach

acts in the sixth comparative analysis "Night" by Krzysztof Kamil Baczynski and "She cried at night, but her cries woke him by Stanislaw Baranczak

Krzysztof Kamil Baczynski and Stnaisław Baranczak poets are writing in different periods of literary at various currents. Baczynski is the leading representative of the so-called. different generations of Columbus-generation 'fulfilled the apocalypse, "which during the German occupation has played an active resistance against the Nazi invaders. His poems often allude to the Convention catastrophic. His poems do not have a traditional design, as the poet he considered inappropriate use of a woven during the occupation. Stanislaw Baranczak also struggled with the regime, but the communist after World War II. His poems relate to the Baroque: are rigid construction, a lot of analogies in them (in place of analogies there Baczyński a lot of metaphors). Is the poetry of these two poets who fought for the freedom of the country, but with so many contradictions in the structure of the poems have more in common, or rather is his denial? Does using different measures of poetic style and structure can be described by the same subject?

poems "Night" by Krzysztof Kamil Baczynski and "She cried at night, but her cries woke him by Stanislaw Baranczak affect various spheres. U Baczynski is evident desire, corporeality expressed comparison mouth to stem the fire burned lust ("The mouth is bitter and dry, the stems / burned the young alike,"). Entity lyrical feel that it is forbidden lust, which is a symbol of the forbidden fruit walnut and gold, who is also the reach happiness, wisdom, a dream. "I" opposes the Christian lyrical attention to spirituality and carnality focusing. This controversy is highlighted in the corresponding metaphors Catholic prayers ("Madonna mine, full of sin," - "Hail Mary, full of grace" or "Madonna I then save your from the night? "-" Holy Mary ,(...) pray for us (...) in the hour of our death "). Madonna Madonna defies Christian truly human-probably his beloved, who is not someone special in advance of the broadcast, only because, despite its carnality and sinfulness ("My Madonna conceived in sin") is someone who is a dream, a dream of the author. Repetition screams "Madonna (...)" construct the structure of the litany of alleged row in which the attributes are exchanged deformed ("(...) Mary in the mirror fitted broken. "-" Mirror of justice "; "(...) shine your" - "Light of the Immaculate Angels," "Madonna conceived in sin" - "Queen conceived without original sin", "(...) full of sin" - " Mother most chaste "). All these attributes suggest that Madonna has hurt deeply lyrical subject. Her guilt is not light, because "I" Lyrical can not forget them (they are not guilty, where no tears ") and tries to throw me from your life, what he fails, since even in it haunts my dreams. Madonna's authority is always a little shaken, as evidenced by the set into a broken mirror, which does not become a goddess, and where you can see not only disfigured the face of the Madonna, but also his own. Therefore, the operator struggling with his addiction to the Madonna, as evidenced by further calls in which attempts to make contact with her. Begins to see its share in the divinity. When it felt great, but after the injustice, all its brilliance, which he represented, was drowned ("I'm like your glow, / what is drowning in the seas return to earth"). Madonna of the speaking for him is something really important. First of all, because it has a save of the night-the night life in the reign of loneliness, fear. To emphasize the dread of the night, "I" brings her lyrical presenting it as a beast that never change, because I will not allow her to do her vindictiveness ("Night zatulone like an animal in fear / '). "I" after receiving a lyrical divinity, however, Madonna begins to doubt her executive power inquiring about how it will save instead of just blindly trust her (Madonna, and me to save your night? "). He can not (and may not want to?) believe her intention "(...) after death." Metaphor "(...) hull with his thoughts?", Which means an attempt to reach the heart of the problem, its nature, cause, which resulted in the death of Madonna's divinity. Alleging that they are no longer able to work with the warmth that her every move is characterized by cold, which is another person speaking suffering inflicted on the track (Make motion infallible, let naming / cool winds, which pitchers pour / liquid, which is like a flame) . The only hope is giving up his beloved company dreams. Sen for "I" is a kind of lyrical repose during the night in which he does not feel all the fears of this season. However, when in a dream, past relief, tears starting to creep up by Madonna, the operator selects a night full of anxiety, but during which he may reasonably look at the matter from a dream, which is a bundle of emotions ("wake up" is a transition from the world of emotions to the world rationalism).

Song Barańczak link, as opposed to poetry, "Night", to the spiritual realm. In "She was crying at night, but her cries woke him not "followed onomatopeizacja, which is reflected by paying entity for sounds of night (" (...) windows tremble, "" (...), wood horsetail). Entity draws attention to the lyrical spirituality of his words to pierce even the emotions. Do we have any emotions associated with the body, such as lust affects Baczyński only spiritual emotions, like anger, apathy, fear. Night is the time, which adds to these feelings, exaggerating. The role of women is totally different than the first track. There is a torturer, tu-sacrifice. Night triggers in her tears. She cries every night, but did not want her partner to have heard him, though he is the reason for this is too proud ("He was not crying for him, although it could be about him."). Suppress it as it may, trying to control ("what is suppressed by making a double-repressed"), crying to the pillow, which the cry is all wet, but it gives the feeling that her crying is an intimate, just for her ("(...) this moisture cushion, (...) "). He feels lonely in her crying, but I do not want anyone to know about him to get over her pity. He is afraid that when her tears creep into the mercy of another person, it ceases to be a real cry, it will cease to be, will be presenting for the other person. When everything comes to light, is unable to admit their weaknesses, caused by operator lyrical ("I cried at night, but woke me cry"), does not want to worry him, he wants to save him and the explanations. This cry is not satisfied with a "me" lyric. Metaphor, "I half-ashamed, that she just so willing to work" shows that crying causes him remorse which can not control at night, it was then broken out and not allow him to sleep, which reflects on his life in the day. He begins to worry about how much time passed before he heard her cry. Before anything else interfere with the reception: "creaking wood, flipping a chimney by industry, wind windows tremble (...) negated carefully." The metaphor of "insomnia box" shows us that this is not the first time, when for some reason the "I" Lyrical suffers from insomnia. And even though the body suffers with his beloved, it does not decide to draw her hand, helping her. Why? Because others are doing to him, "Sleep, sleep, skip the wet pads, the night the right people." This verse tells us again that crying and other escalation of emotions is normal, and every person has the right to do that you can not take it. "I" is not lyrical at the same level of expression of emotion and feeling, what a woman. His emotionality is simpler, distinguishes only the basic emotions, does not distinguish between their complexity and therefore should be endowed with an epithet, "toporniejszej tenderness." For your partner is made aware that she is not the cause crying, and the wind and windows, which are "foreign affairs people," it means that affect human history without looking at them. The construction work of its paradoxical results. This is a typical example of Villanella, but its theme is not very much associated with the same concept. Villanella is a work that is associated with folklore, melodic and rhythmic. All of these features, in addition to folklore, song Barańczak behaves. But his movement theme of solitude, a kind of fear. Application of this specific kind of poetic structure was intended to relieve "heavy" and challenging work content, some bringing him to the song because of the presence of the chorus made up of two lines: "She cried at night, but her cries woke him" the whole track beginning and ending the second and fourth stanza, and besides "It was a breeze, trembling windows, foreign affairs of men", which ends the first stanza, the third and sixth. Of course, both are modified, but the rhythm and tone will remain unchanged.

poem "The Night" Baczynski and "She was crying at night, but her cries woke him "Baranczak have the same themes-loneliness, drug night. But they are two completely different lyrics. Various them almost everything. One major difference is, of course, the construction of lines: Baczynski żadn6ch not keeping the existing rules, regarding them as unnecessary, while the track is subjected to strong Baranczak rigor in creating villanelle. In each of these roles are different. Author of "Night" represents the body of his poem as a victim of Madonna's full of sin, while "She cried at night, but her cries woke him" 'I' Lyrical is the cause of loneliness, a woman (girlfriend?) A victim of its hardness and roughness. Same ratio of the entity is different. Entity lyric in "Night," he decides to ignore weeping Madonna, and author of "She cried at night, but it woke him cry" seems to us to say that it is not fault of the speaker in the song, it ignores a woman-had an impact on it, and she and opinions of others. It is also a different attitude to the night. Baczynski presents night as a time full of fear, fear, desire, a wild animal that is the same with each other, while for Baranczak night just magnifies all kinds of feelings. Loneliness and fear are not those of the night, and ourselves, which in the darkness to reveal in all its glory, and we definitely have the greater impact than it does during the day. Therefore, songs and Baczynski Barańczak despite apparent similarities are many different despite a similar theme.